Helvetica

[netflix] [IMDb] [http://www.helveticafilm.com/]

This is the first movie-length thing I’ve watched using Netflix’s “Watch Instantly” feature. It’s flawless. Highly recommended. I can only hope they get more and more inventory available. At some point, maybe they could get rid of disks altogether.

Anyway, the movie. This is a documentary about what has become one of the most universal typefaces around: Helvetica, which is 50 years old this year. It’s an interesting story and well told. But what really comes across is just how, um, hmmm, how to say this … fanatical type face designers can be. Think of the most out-there Mac zealot you can imagine. That’s the sort of personality many of them have. For example, one graphics designer said that using Helvetica showed you supported the Vietnam War. Is the typeface “clean” or is it “boring”? Is it “fascistic” or is it “corporatist”? What do typefaces tell you about the words written in them? Anything?

There is no doubt that type, and graphic design generally, are important. Changing the design of a product or packaging can stimulate or retard sales, so clearly it does have an impact. How do you describe this effect in concrete, measurable terms? Maybe it’s the engineer in me, but I don’t see how it’s done. When I look at a typeface, words like “delightful”, “playful”, “severe”, “austere” don’t come into my mind. I think of things like “clear” or “fancy” and that’s about it. But to these people, it borders on religion. Or at least to some of them. It’s similar, in a way, to how architects argue about the aesthetic beauty of a building, but at least with a building, even I can tell the difference between beauties and beasts.

I was tangentially exposed to type designers when I did a contract at Bitstream, so some of this is not surprising. And it also meant that I was familiar with some of the names of the people interviewed (Zapf, Carter, Hoffmann, and a few others) and it was interesting to put a face with the name.

But if I have one nit to pick with the film, they never actually say, in real words, what Helvetica is. What makes Helvetica Helvetica? Yes, it’s a sans serif font, but beyond that, the only design information they give you is that the cutoffs in the S and C are horizontal. So, I think I know it when I see it. But I couldn’t tell you with any certainty whether it really is or not. Maybe it’s something very similar but those “in the know” as it were, would look at it and say “of course it isn’t, it’s $something_else”.

4 Stars

“Swiss” is Bitstream’s version of Helvetica (”all” typeface names are trademarks, so no two companies will have the same name for the same font)

7 Responses to “Helvetica”

  1. John Says:

    After watching this movie, I looked at the logo on my site and the slanted cutoffs on the letters there really stuck out. Heh.

    I think I got enough from the horizontal cuts and the teardrop shape in the lowercase “a” to get the general idea of the typeface. (There was a thing about the tails on the capital “R” too, wasn’t there?) I think the filmmakers must have figured that going into it much more would be redundant to those who know and mind-numbingly boring to those who didn’t.

    Do you even have this font in Windows? Linotype wants upwards of $80 for a decent workable TTF collection.

  2. todd Says:

    No, I don’t have Helvetica on my machine, but I do have Swiss which is Bitstream’s version of Helvetica. I mean, I have the general idea of the thing, or at least I think I do. “I know it when I see it,” I say. But I’m not sure I do.

    They said in the film that Arial is another version of Helvetica, but the cutoffs aren’t horizontal. So, does that mean it’s not really Helvetica? I mean, if you were to put them both together, I may or may not be able to spot the differences, but even if I could, I’m not sure I could name the right one in a “taste test”.

  3. John Says:

    I believe that Arial is what MS uses to not pay Linotype for Helvetica, but instead have something really close. The “terminal strokes” (ha ha!) are on the diagonal.

    Arial

    Helvetica

  4. todd Says:

    Arial is from Monotype, so they’re still paying someone for it.

    I never got to meet Matthew Carter. He left Bitstream the year before my contract there.

    This family tree thing is kind of nice. That’s part of what the job I was doing at Bitstream was about. (I was doing a desktop database with info extracted from their Oracle DB that would give a desktop app some pretty sophisticated font management).

  5. John Says:

    Yeah, but MS has had Arial since Windows 3.1, so there’s probably some kind of mutually beneficial relationship going on since then.

    Arial is close, but wow. Swiss 721 is identical to Helvetica in my eyes. I don’t think I could tell the difference in a lineup.

    Fight!

  6. John Says:

    Way to sneak in the Flashpaper on me while I was typinating.

  7. todd Says:

    Heh

    “Arial has now overtaken Helvetica as the standard font in practically everything done by those who don’t know better.”

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